Personnel: Tom Guarna, guitar Jon Cowherd, piano, Fender Rhodes John Patitucci, bass Brian Blade, drums. The Wishing Stones: Prelude Song For Carabello Surrender Song Hope Moment = Eternity Unravel Modules The Wishing Stones Beacon Run Signal Native Tongue. Since her arrival in New York in 2013, she has played in numerous venues and festivals such as The BRIC Jazz Festival, Dizzys Club Coca Cola, The Stone. His fulsome, flowing work on the contemplative “Moment = Eternity” is just one of the highlights on this highly satisfying recording. All Cans Coca-Cola Cans Pepsi Cans Beer Cans Energy Cans Advanced Search. On songs like the soaring “Hope,” the pianist strikes a balance between comping unobtrusively behind Guarna’s lead lines and providing simpatico solos. Download The Wishing Stones - Tom Guarna MP3 song on Boomplay and listen The Wishing Stones - Tom Guarna offline with lyrics. Mineral pigments next occupy his attention, with many interesting notices of the great painters of Greece from which he passes on to the various kinds o£ stone and materials employed in building, and the use of marble for the purposes of sculpture, including a notice of that art and of the most eminent sculptors. Bassist John Patitucci swings hard on “Modules” and steps into a more familiar role elsewhere, modulating his participation in a way that illustrates his close listening and complete engagement with the music.Ĭowherd is also an ideal fit. Johnny Griffith: Dance With the Lady (GB) B+() Tom Guarna: Rush (BJU) B. On “Unravel,” the drummer moves higher in the mix for what is at points an extended duet with the guitarist, but again his pulse never steals the spotlight. It helps, of course, to have John Hbert and Tom Rainey on board. Jazz guitarist Tom Guarna never knows when musical inspiration might strike. On the loping “Song For Carabello,” Brian Blade’s accompaniment is a seamless cycle of understated patterns, propelling the piece forward while never leaving the deep background, save for occasional splash of cymbal. The following pages are the outcome of studies begun many years ago in Greece and Italy. For The Wishing Stones, Guarna has introduced some processing to his tone, giving him a liquid sound with extended sustain.įrom the pensive opener, “Prelude,” to the burning “Modules,” Guarna’s original compositions o er a range of diverse harmonic approaches, and the arrangements bring out the best in his collaborators. Closing in on 50, it appears that guitarist Tom Guarnas days of flying. On previous recordings, his voice was round and clean-a nice vehicle for the boppish tunes he favored on his SteepleChase albums. Recording for an artist-run label with pianist Jon Cowherd and Wayne Shorter’s longtime rhythm section, Guarna has made an adjustment to his amplification that gives him an arresting tone. Closing in on 50, it appears that guitarist Tom Guarna’s days of flying just below the radar might be ending.
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